Sabine Dargent's subtly divided set and Mark Galione's lighting suggest a couple eternally connected and divided, like lovers in a ghost story.

Pride of Parnell / Ben Brantley, New York Times, September 2009.

arragh na pogue
the bacchaes
circus
crucible
new electric ballroom
penelope
pride of parnell
strandline
tadgh (stray wandered in)
walworth farce
reviews
contact